Roald Dahl – And Thoughts on Fiction and History
Novels are vessels that carry our past. If we abandon or amend them, we relinquish or alter our past. Oliver Twist, published in 1838, provides a look at first-half-19th Century London, an unpleasant place to be poor. Tolstoy's War and Peace, written in 1869 provides a Russian perspective on the Napoleonic Wars, which were devastating for both victor and vanquished. Joel Chandler Harris, born and raised in Georgia, wrote Uncle Remus in 1881, during Reconstruction and the early Jim Crow era, a time when blacks in America were treated badly. These books make some uncomfortable, but they are social commentaries on their time. Fiction speaks to thoughts people had, words they spoke, and actions they took. Through them we can trace the arc of civilization as it has advanced over the centuries.
Last week Penguin Random
House made the sensible decision to rescind their earlier announcement that
only expurgated versions of Roald Dahl's books for children would be published
by Penguin Young Readers Group in the U.S. and Puffin Books in the UK. Now,
copies with the original language will be branded as The Roald Dahl Classic
Collection, to differentiate them from edited copies for more sensitive
readers. However, it is troubling that the change came only after a backlash
that included such writers as Salmon Rushdie (a man who knows what it is to be
censored) and Camilla, United Kingdom's Queen Consort, who urged writers to
"remain true to your calling, unimpeded by those who may wish to curb the
freedom of your expression or impose limits on your imagination." Wise words
from a well-read woman. Consumers are best served when offered a choice, which
is what Penguin is now doing.
Changing words in books is
not the same as censorship, but it is illustrative of a different problem – the
coddling of American youth. Young children were once taught to prepare for a
tough world. The old adage: "Sticks and stones may break my bones, but words
will never hurt me" has been updated to conform with today's more sensitive
culture: "Sticks and stones may break my bones, but words can also harm me.
/Stones and sticks break only skin, while words are ghosts that haunt me." It
is not that parents of my generation (and earlier) were unaware of bullying and
taunting or did not love their children. They were and they did. They also
wanted them to be responsible, accountable, and respective of others. We also
knew the world is a tough place, and we knew that children should be prepared.
Both the left and the right
have been guilty of banning and/or challenging books that do not conform to
their ideologies. A photograph of California's Gavin Newsome was published in
the April 7, 2022 issue of Newsweek. He was "reading some banned books."
In his hands was a copy of Toni Morrison's Beloved (banned by the
right). On the table was a copy of Harper Lee's To Kill a Mockingbird
(banned by the left). On the right, books on LBGTQ subjects have been
challenged or banned in some elementary schools, books like George by
Alex Gino, Stamped: Racism, Anti-racism, and You by Ibram X and
Jason Reynolds, and All American Boys by Jason Reynolds and Brendan
Kiely. Some parents feel the books' content age-inappropriate for their young
children, and their wishes should be respected. The left has placed challenges
or imposed bans on books they see as insensitive to gender and racial issues,
like George Orwell's 1984, Mark Twain's Huckleberry Finn, and Of
Mice and Men by John Steinbeck.
It took a while, and their
initial, instinctive reaction was wrong, but Penguin Random House made the
right decision in offering readers a choice. Roald Dahl was known as an
antisemite and misogynist, but his books have sold over 300 million copies
since the early 1940s. His books, and movies made from them, have entertained
and enlivened the lives of millions of children in dozens of countries.
Penguin's decision ensures that millions more will have the delight of knowing
Willy Wonka, Augustus Gloop, Matilda Wormwood, and many others.
None of this is to argue
that fiction is always accurate in its portrayal of the past. It is, after all,
fiction, meant to tell a story, to make a point. And historical figures, like
public ones today, are generally more nuanced than shown. Nevertheless, we get
a sense of life in mid 19th Century English debtors' prison by
reading of Charles Dickens' Amy Dorrit and of what it was like to grow up black
in 1930s Alabama by getting to know Harper Lee's character, Tom Robinson.
Changing words in any book
leads to a slippery slope, more associated with totalitarian regimes than with
a nation of free people. Let us pray that the media coverage of the Dahl
episode will cause both sides to reconsider their efforts to ban or challenge
books that do not suit their particular political ideology. As Elie Wiesel said
in his talk on NPR fifteen years ago, in speaking of the horrors he suffered
during the Holocaust: "…our stories are essential – essential to memory." Most
writers today were not alive then, but knowledgeable and empathetic writers of
fiction can provide readers a sense of time and place, of what caused the
tragic events in Germany. Such stories may prevent future nightmares. Not all
that is written is true, but truth only emerges when authors are free from
censors, when books are not altered, challenged, or banned, and when readers
are free to decide for themselves what to read.
Sydney M. Williams
March 1, 2023